Feel free to bring to follow items to this event.
This concert allows low-profile chairs. Re-usable water bottles/canteens and Take Note Initiative Silipints. Strollers. Personal umbrellas, phones, backpacks, binoculars and personal cameras without detachable lenses. Happiness.
The following items are restricted from this event.
Blankets, towels or yoga mats; tall chairs or recliners. Weapons of any kind including pocket knives. Anything to smoke of any kind. Outside food, beverages, drugs. Golf umbrellas. Aeroloungers. Fireworks and all other projectiles. Hula hoops or poi spin balls. Pets including emotional support or companion animals.
In 2014, exhausted after four years of non-stop touring, the six members of the Head And The Heart pointed their individual compasses to new cities, new relationships and new adventures.
After a prolonged layoff, the band regrouped during the summer of 2016 in Stinson Beach, California, to start writing together again.
“It almost felt like we were a new band, trying things we hadn’t tried,” bassist Chris Zasche recalls. “We stayed at a bungalow on the beach. We’d wake up, have coffee and go boogie boarding. We were ready and excited to be back together.”
That renewed sense of purpose can be felt throughout “Signs Of Light,” the group’s first release for Warner Bros. Records.
Recorded in Nashville with producer Jay Joyce (Eric Church, Cage The Elephant), “Signs Of Light” crackles with the upbeat, sing-a-long energy of the Head And The Heart’s finest work.
Throughout, the colors are brighter, the electric guitars are louder and the musical touchstones more universal. The propulsive, smile-inducing ode to Los Angeles “City Of Angels” and the head-nodding “Rhythm & Blues” nod to classic Fleetwood Mac, while the organ-flecked “Dreamer” is a timeless-sounding ballad that could have been beamed straight out of an old jukebox.